Holi, 3/15/09

Today was my second time attending the Hindu spring festival Holi (also called Phagwah or the Festival of Colors) out in Richmond Hills, Queens.

Last year I had no idea what to expect, and it took me a while to get into it. I was also worried about dust on the camera. This year I planned ahead and made a clear plastic camera cover.

There’s a short and sweet parade, mostly for sponsors and politicians. But the fun really starts at the end when the crowds gather in the park to exchange colors. Everyone goes a little wild, with kids throwing colored powder, baby powder, and also color liquid at eachother. The teenagers get really crazy, but the little kids and grownups get into it too.

The rowdiness is fun but never gets out of control. Everyone is smiling and laughing. The festivities really bring people together, and total strangers have no shyness about approaching eachother to apply colors.

In the photo of me above, each unique color was gently and lovingly applied by hand by a different total stranger.

Trevor Brown: Stripping the Familiarity from the Everyday, New York Times, 3/7/09

The opening for Trevor’s exhibit “Ordinary Wonderful” was a huge success. He wowed them with his presentation–and presence–and got a nice write up in the new New York Times blog “The Local.”

Click here to view more from the series.

If you haven’t been to PS1 for a Saturday Warm Up recently, now is a good time to go. The current outdoor installation is P.F.1 (Public Farm One) from the WORK Architecture Company. Not as splashy as last summer’s art (groan — I know) but perhaps more visually impressive. Inside the museum there are so many great and interesting pieces, I’m definitely going there again in a couple weeks. Well worth a visit to Queens, but best viewed on a Saturday.

Next in the series of photographers I admire is Shen Wei. I first noticed him when coming across photos from a recent project of his called Almost Naked, a series of amazing intimate portraits, with a few interesting environmental/still life photos mixed in. As with the Jesse Burke, the emotional frankness of Shen’s photos really speaks to me.

Today while checking out the shows at Humble Arts Foundation I came across the photographer Jesse Burke.

I don’t often do portrait photography, mainly because I’m not naturally comfortable with people in general. The process of getting to know someone takes me a long time. Even with people I know very well, the photo shoot itself becomes awkward and unproductive. But see a lot of potential there, and really hope that with a lot of practice I can eventually get good at it.

Jesse Burke’s photos really speak to me. Partly because it’s familiar: the faces and scenery remind me a lot of my time in Wisconsin. But also because the emotions he brings out in his subjects are those that often stay hidden.